Recreating a quatrefoil pendant for a costume

How do you recreate a lost pendant from the film classic “Queen Christina”?

Larry McQueen, the owner of the restored costume speculated that the original pendant used in this film, was most likely created by the costume department and assembled from found metal pieces. We decided to work with that premise and proceeded to design what we thought they had made with the available resources, from the studio at that time period.

For our project we took it one step further and made all of the components. We decided to recreate the pendant using fine jewelry making techniques, rather than assembling pre-made found jewelry components. We wanted to make this piece of jewelry as close to the original design as possible. The process and research into this design can be found here.

All About the Costume

Notes from Larry McQueen, owner of the Gown: This balance of this post was written by Larry McQueen - he shares the history of the costume, to learn about more about the jewelry select above link.

Larry McQueen stated - "This gown, however beautiful, was a production nightmare.  Garbo complained that the gown gave her a headache because of its weight (approx. 60 lbs.) and heat.  The light that was reflected from the embroidery caused problems with the lighting and the sound of the gown dragging across the floor made it impossible for anyone to speak while Garbo walked.  The studio, no doubt complained because of the cost.  But it was for Garbo. "

"The gown is an elaborate two-piece period gown of beige velvet consisting of a fitted bodice with Eugene neckline and full-sleeves trimmed with crocheted cuffs and a matching skirt with a slight train.  The garment is lavishly embroidered with a geometric tile motif of paste diamonds, emeralds, gold bullion and various other stones at collar, down the bodice front, sleeves, down front of skirt and around skirt hem and weighs in excess of 60 pounds. Before purchase, the gown was restored for an exhibition at the Smithsonian Institute and the original silk pane velvet was replaced by a cotton velvet."

The re-creation of the necklace for the costume was somewhat difficult.  Very little detail is shown in photos or film footage. 

The look for the necklace was to blend into the beadwork on the collar and not stand out or demand too much attention.  Since the film was in black and white and therefore the is no record of the color for the original gown or beadwork, it had to be decided what color the necklace should be.  We decided to pick a plating that would best blend with the beaded ornamentation of the dress. It was obviously based on some historical piece in the time period, but it was also a studio constructed piece of jewelry which did not always follow the construction style of period pieces.  The necklace was constructed with both in mind."

For costume information feel free to reach out to Mr. McQueen.